Tipiṭaka / Tipiṭaka (English) / Saṁyutta Nikāya, English translation

    संयुत्त निकाय २४।९

    Saṁyutta Nikāya 24.9

    The Related Suttas Collection 24.9

    १। सोतापत्तिवग्ग

    1. Sotāpattivagga

    1. Stream-Entry

    सस्सतदिट्ठिसुत्त

    Sassatadiṭṭhisutta

    The Cosmos is Eternal

    सावत्थिनिदानं।

    Sāvatthinidānaṁ.

    At Sāvatthī.

    “किस्मिं नु खो, भिक्खवे, सति, किं उपादाय, किं अभिनिविस्स एवं दिट्ठि उप्पज्जति: ‘सस्सतो लोकोऽ”ति?

    “Kismiṁ nu kho, bhikkhave, sati, kiṁ upādāya, kiṁ abhinivissa evaṁ diṭṭhi uppajjati: ‘sassato loko’”ti?

    “Bhikkhus, when what exists, because of grasping what and insisting on what, does the view arise: ‘The cosmos is eternal’?”

    “भगवंमूलका नो, भन्ते, धम्मा …पे…

    “Bhagavaṁmūlakā no, bhante, dhammā …pe…

    “Our teachings are rooted in the Buddha. …”

    “रूपे खो, भिक्खवे, सति, रूपं उपादाय, रूपं अभिनिविस्स एवं दिट्ठि उप्पज्जति: ‘सस्सतो लोकोऽति। वेदनाय सति …पे… सङ्खारेसु सति … विञ्ञाणे सति, विञ्ञाणं उपादाय, विञ्ञाणं अभिनिविस्स एवं दिट्ठि उप्पज्जति: ‘सस्सतो लोकोऽति।

    “Rūpe kho, bhikkhave, sati, rūpaṁ upādāya, rūpaṁ abhinivissa evaṁ diṭṭhi uppajjati: ‘sassato loko’ti. Vedanāya sati …pe… saṅkhāresu sati … viññāṇe sati, viññāṇaṁ upādāya, viññāṇaṁ abhinivissa evaṁ diṭṭhi uppajjati: ‘sassato loko’ti.

    “When form exists, because of grasping form and insisting on form, the view arises: ‘The cosmos is eternal.’ When feeling … perception … choices … consciousness exists, because of grasping consciousness and insisting on consciousness, the view arises: ‘The cosmos is eternal.’

    तं किं मञ्ञथ, भिक्खवे, रूपं निच्चं वा अनिच्चं वा”ति?

    Taṁ kiṁ maññatha, bhikkhave, rūpaṁ niccaṁ vā aniccaṁ vā”ti?

    What do you think, bhikkhus? Is form permanent or impermanent?”

    “अनिच्चं, भन्ते” …पे… विपरिणामधम्मं, अपि नु तं अनुपादाय एवं दिट्ठि उप्पज्जेय्य: ‘सस्सतो लोकोऽ”ति? “नो हेतं, भन्ते”। “वेदना … सञ्ञा … सङ्खारा … विञ्ञाणं निच्चं वा अनिच्चं वा”ति? “अनिच्चं, भन्ते …पे…

    “Aniccaṁ, bhante” …pe… vipariṇāmadhammaṁ, api nu taṁ anupādāya evaṁ diṭṭhi uppajjeyya: ‘sassato loko’”ti? “No hetaṁ, bhante”. “Vedanā … saññā … saṅkhārā … viññāṇaṁ niccaṁ vā aniccaṁ vā”ti? “Aniccaṁ, bhante …pe…

    “Impermanent, sir.” …

    अपि नु तं अनुपादाय एवं दिट्ठि उप्पज्जेय्य: ‘सस्सतो लोकोऽ”ति? “नो हेतं, भन्ते”। “यम्पिदं दिट्ठं सुतं मुतं विञ्ञातं पत्तं परियेसितं अनुविचरितं मनसा तम्पि निच्चं वा अनिच्चं वा”ति? “अनिच्चं, भन्ते”। “यं पनानिच्चं दुक्खं वा तं सुखं वा”ति? “दुक्खं, भन्ते”।

    api nu taṁ anupādāya evaṁ diṭṭhi uppajjeyya: ‘sassato loko’”ti? “No hetaṁ, bhante”. “Yampidaṁ diṭṭhaṁ sutaṁ mutaṁ viññātaṁ pattaṁ pariyesitaṁ anuvicaritaṁ manasā tampi niccaṁ vā aniccaṁ vā”ti? “Aniccaṁ, bhante”. “Yaṁ panāniccaṁ dukkhaṁ vā taṁ sukhaṁ vā”ti? “Dukkhaṁ, bhante”.

    “यं पनानिच्चं दुक्खं विपरिणामधम्मं, अपि नु तं अनुपादाय एवं दिट्ठि उप्पज्जेय्य: ‘सस्सतो लोकोऽ”ति?

    “Yaṁ panāniccaṁ dukkhaṁ vipariṇāmadhammaṁ, api nu taṁ anupādāya evaṁ diṭṭhi uppajjeyya: ‘sassato loko’”ti?

    “But by not grasping what’s impermanent, suffering, and perishable, would such a view arise?”

    “नो हेतं, भन्ते”।

    “No hetaṁ, bhante”.

    “No, sir.”

    “यतो खो, भिक्खवे, अरियसावकस्स इमेसु च ठानेसु कङ्खा पहीना होति, दुक्खेपिस्स कङ्खा पहीना होति …पे… दुक्खनिरोधगामिनिया पटिपदायपिस्स कङ्खा पहीना होति—अयं वुच्चति, भिक्खवे, अरियसावको सोतापन्नो अविनिपातधम्मो नियतो सम्बोधिपरायनो”ति।

    “Yato kho, bhikkhave, ariyasāvakassa imesu ca ṭhānesu kaṅkhā pahīnā hoti, dukkhepissa kaṅkhā pahīnā hoti …pe… dukkhanirodhagāminiyā paṭipadāyapissa kaṅkhā pahīnā hoti—ayaṁ vuccati, bhikkhave, ariyasāvako sotāpanno avinipātadhammo niyato sambodhiparāyano”ti.

    “When a noble disciple has given up doubt in these six cases, and has given up doubt in suffering, its origin, its cessation, and the practice that leads to its cessation, they’re called a noble disciple who is a stream-enterer, not liable to be reborn in the underworld, bound for awakening.”

    नवमं।

    Navamaṁ.





    The authoritative text of the Saṁyutta Nikāya is the Pāli text. The English translation is provided as an aid to the study of the original Pāli text. [CREDITS »]


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